CHOICE COLLECTION 


a Wag 1 OR he | ee 
ENGRAVINGS, ETCHINGS | 
ss WATER COLORS, PAINTINGS, Etc pa igi 
We (ya enion | BELONGING TO THE LATE | 
OF BALTIMORE mo | 


TO BE SOLD 


"THURSDAY ano FRIDAY, APRIL 24 ano 25, 1902 


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No. 19— Reduced 


Catalogue No. 878 


THE MAGNIFICENT COLLECTION. 


OF 


ENGRAVINGS avo ETCHINGS 


Water-color and Oil Paintings, Autotypes, etc. 


BELONGING TO THE ESTATE OF 
THE LATE 


THOMAS. WILLIAM HALL. ESQ. 


OF BALTIMORE 


Embracing the Finest Examples, in. the Choicest Possible State, of 
the most noted Artists of the Burin, in Line, Stipple, 
. Mezzotint and: Etching: 


2. 


AS WELL, AS 


MANY CHOICE WATER- COLOR AND OIL PAINTINGS 


BY NOTED FOREIGN. ARTISTS 


Many of the Engravings are Handsomely Framed 


TO BH SOLD 
Thursday and Friday*Afternoons, April 24 and 25, 1902 


AT 3 O'CLOCK EACH DAY 


ON EXHIBITION APRIL 22 ano 23 1 a.- 


CATALOGUE COMPILED AND SALE AT THE BOOK AUCTION ROOMS OF 
CONDUCTED BY DAVIS & HARVEY, 


STAN. V. HENKELS. 1112 Walnut Street, Philadelphia, Pa, 


NOTICE. 


Bids will be executed by the Auctioneers “without 
charge. Le ors eee rer Cae. 

Bids are always so rae per volume or ieee, 
otherwise stated in catalogue. _ 


TERMS OF SALE—CAsH. 


REMARKS. 


HE late owner of the choice Collection of Engravings, Etchings and Water-color 
Paintings described in this Catalogue was Thomas William Hall, Esq., of Baltimore, 
who was well known asa prominent lawyer and journalist. He was also a member 

of the Board of Trustees of the Peabody Institute of Baltimore, and a recognized connois- 
seur of art, and an authority on engravings. 

The Collection was made during the last quarter of the nineteenth century. The 
discriminating judgment displayed, and the excellence of the examples selected, alone 
attest to Mr. Hall’s extraordinary good taste and knowledge of the subject. His object 
was not to gather together a hetrogeneous mass of prints by all engravers, but to make a 
representative collection of the best works of the most noted masters of the burin of all 
ages. A glance through the catalogue will fully attest how well he carried out his purpose— 
untiring in his search for, and selecting no prints but those in the finest possible state to be had, 
is the reason we are now able to present to the public a collection, although of not very 
large proportions, yet, for its size, unequalled, in the general excellence of the examples 
selected, by any other in the country. ‘The water-color paintings and autotypes included 
in the catalogue are equally indicative of the high standard which alone received the 
approval of the owner. 

To some of the most noted EHngravings herein described we wish to draw particular 
attention—Bervic’s Education of Achilles, proof before letters; Blooteling’s Hieronymus 
van Beverningk, first state, Desnoyer’s Napoleon le Grand, second state, and Belisarius, 
choice artist’s proof; Drevet’s (the younger) Cardinal du Bois, and Claude Drevet’s Cardinal 
d’ Auvergne, both noted as magnificent specimens of engraved lace work; Durer’s St. Jerome 
in his Cell, 42s masterpiece and a beautiful impression ; Edelinck’s Moses with the Tablets, 
and Martinus Vanden Baugart; Forster’s St. Cecilia with two Angels, proof before the in- 
scription ; Valentine Green’s Miss Hunter, proof before letters ; Loughi’s Dandolo, Doge of 
Venice, jirst state, before the border; Mandels’ La Madonna della Sedia, a grand trial proof; 
Massard’s Homer, chotce open-letter proof; Masson’s Grey-Haired Man, second state, and Le 
Cadet a la Perle, second state; Muller’s La Madonna di San Sisto, fourth state, before the 
retouch, THE MASTERPIECE OF THE NINETEENTH CENTURY; Nanteuil’s Pomponne de Bel- 
lievre, second state, and his masterpiece ; Nordheim’s La Madonna di San Sisto, proof before 
all letters; Pether’s The Standard Bearer, superb brilliant proof; Paul Pontius’ Rubens, with 
the hat, saperb proof; Rembrandt’s The Mill, very fine, The Death of the Blessed 
Virgin, very fine, and Jan Asselyn, grand impression, third state ; Richomme’s Triumph of 
Galatea and Thetis Bearing the Weapons of Achilles, both brilliant impressions ; Schmidt’s 
Jewish Bride, /firs¢ state ; Strange’s Henrietta Maria, Queen of England, with her children, 
proof before all letters ; Toschi’s Descent from the Cross, beautiful trial proof, before cleansing 
the plate; Visscher’s Great Cat, splendid impression; Waterloo’s Great Mill, very fine; 
Watson’s Countess of Ossory, one of the Windsor beauties ; Wierix’s Melancholia, very fine, 


and Wille’s Louis Phelypeaux, brilliant impression. 


iv 


Of Etchings, of the modern school, some of the most notable are, Bartley’s Henry 
Irving and Ellen Terry, vemarque proof, signed; Brunet-Debaines’ Chill October, artist's proof, Se 
signed; Flameng’s Christ Appearing in a Vision to Boers, artist's proof, signed; Gilbert’s 
Foraging Party, and On the Alert, doth artist’s remarge proofs, signed ; Gravesande’s Au bord ~ 
du Gein, artis?’s proof on vellum, and one of the most perfect etchings of the modern school ¢ os 
Seymour Haden’s Sunset in Ireland and Fulham on the Thames, both artist's proofs, signed ; 
Haig’s Series of Etchings of Westminster Abbey and Spanish Churches, a// artist's proofs, é 
signed; Frederick Jacque’s Le Retour, artist's remarque proof, signed ; Jacquet’s Cavalry § 
Care and ‘‘ ueta. both artist's prey: signed ; Law’s bade and Windsor or 


Tomb, artist’s remarque proof; Palmer’s Early Ploughman, proof; Rajon’s Cardinal 1 
man, qere proof, Sb oeae! ; win gee Return ye a Had es hips 


Paes and Lady Camden, ad/ he proofs, signed ; ea Whistler’s Blackie 
“Wharf, The uatreneees and ae meds bie all fine proofs. = 
a Sees at the names of artists iad eet in this Siena! on the page opposite 


convey an idea a ie great sparen i and ee of the collection. 


April 21st and 22d, where I will have the pleasure of conducting the sale. 


STAN V. HENKE 


water-color and oil paintings. 


ARTISTS 


REPRESENTED 


ENGRAVERS AND ETCHERS 


Aldegrever, Henry 
Anderloni, Pietro 
Audran, Benoit 


Balechou, John James 
Bankel, Johannes 
Bartolozzi, Francesco 
Bartley, Henry W. 
Bause, John Frederick 
Beauvarlet, James Firmin 
Beham, Hans Sebald 
Berghem, Nicholas 
Bervic, Charles Clement 
Blanchard, Auguste Thomas Meee 
Blooteling, Abraham 
Bockman, G. 

Bolswert, Sheltius A. 
Bosse, Abraham 
Boissieu, Jean Jacques de 
Buchot, Felix 


Cantarini, Simone 

Caronni, Paolo 

Carpioni, Guilio 

Caracci, Agostino 

Chauvel, Theophile Narcisse 
Corbutt, Charles ; 
Claessens, Lambertus Antonius 
Couwenberg, Henrik Wilhelm 


Dalen, Cornelius Van . 
Danguin, Jean Baptiste 

Daulle, Jean 

Debaines, Alfred Louis ‘Br unet- 
Desnoyers, A. G. L. Boucher . 
Dicksee, Herbert 

Dietrich, Christian William Pernce: 
Dixon, John 

Drevet, Pierre, the ides 
Drevet, Peter, the younger 
Drevet, Claude 

Diirer, Albrecht 

Dupont, Louis Pierre THegHaubl 
Dusart, Cornelius 

Dyke, Antonio Van 


PAGE 


I Harlom, Richard . 
I Edelinck, Gerard 
I Elten, Kruseman Van . 


Edwards, S. Arlent 


Farrer, Henry . 
Felsing, Geo. Jacob 
Ferris, Stephen J. 
Ficquet, Etienne 
Flameng, Leopold 
Forster, Francois 
Fortuny Mariano 
Francois, Alphonse 
Freidhoff, Johann Joseph 


Gaillard, Claude Ferdinand 
Garavaglia, Giovita 

Gelée, Claude (Lorrain) 
Gelée, Francois Antoine . 
Gilbert, Achille 

Goltzius, Hendrik 

Goya, Francesco . 


GS Go Gs 6, CA ONT Nh tN ey I et 


Green, Valentine 
Gunst, Peter Van 
Guttenberg, Carl 


Haden, Francis Seymour 
Haid, John Gottfried 
Haig, Axel H. 
Halpin F. 

Hecht, W. 
Herkomer, Herbert 
Hodgetts, Thomas 
Holl, Wim. 

Hollar, Wenceslaus 
Houbraken, Jacob 
Hoovenden, Thomas 


Jacque, Charles 

Jacque, Frederick 

Jacquet, Jules 

Jesi, Samuele 

Jode, Peter de, the younger 
Jode, Peter de, the elder 


NSIVN DDAUNUNNNN SF HF F BRP HD PWW WwW W 


Gravesande, Charles Storm Van 


PAGE 


i) 
NN nunNN 


ommaonnwnwo non 


ow oO OO OO 


= 


Koepping, C. 
Kratke, D. 
Krug, Lucas 


Lamotte, Alphonse 
Lalanne, Maxime 
Law, David 

Le Beau, Pierre Adrien 
Le Couteux, Lionel 
L, Hermite, Louis 
Lévy, Gustave 
Lewis, Charles G. 
Leyden, Lucas Van 
Longhi, Guiseppe 
Lucas, John 


Mandel, John August Edward 
Manfeldt, B. \ 
Maratti, Carlo . 

Margelidon, L. : 
Martinet, Achille Louis 


Massard, Jean Baptiste Raphael Ur bata 


Massard, Leopold 
Massard, Jules . 
Masson, Antoine 
Mathey, Armand 
McArdell, James 
Meryon, Charles 
Milius, F. : 
Mielatz, Charles F. Ww. 
Moncks, J. A. S. 
Moran, Peter 
Morghen, Raphael 
Morin, Jean 

Miller, Jan ‘ 
Miller, Christian Friedrich von 
Murray, Charles O 
Nanteuil, Robert 


Nordheim, John George 
Ostade, Adrian Van 


Palmer, Samuel 

Parkes, Robert Bowyer 
Parrish Stephen 

Pentz, Gregory, called Genrve 
Pether, Wm. ; 
Piercy, Frederick 

Pigeot, Francois, 


PAGE 
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vi 


Piranesi, Giovanni Battista 
Pontius, Paul ; 
Porporati, Carlo Antonio 


Rajon, Paul Adolph 

Rasp, Carl Gottlob 
Rembrandt, Paul Van Ryn 
Reyher, Robert 

Reynolds, William S. 
Richomme, Joseph Théodore 
Rousseau, E. 

Rivet. i: 

Ruysdael, Jacob 


Sandrart, Jacob von 
Schmidt, George Frederick 
Schongauer, Martin 
Schultheiss, Albrecht F. 
Sharp, William 

Slocombe, C. P. 

Strange, Sir Robert 
Steinla, Moritz 


Tardieu, Pierre Alexandre 
‘Teyssonniéres, Pierre 
Tissot, Jacques Jean 
Toschi, Paolo 


Varin, Amedée and Eugéne 
Visscher, Cornelius 
Visscher, Lambert 

Vivares, Francois 

Vogel, Johann Friedrich 
Volpato, Giovanni 


Vortsterman, Lucas, the elder 


Wagner, Carl 

Waltner, Charles 
Waterloo, Anthony 
Watson, Thomas 
Wellstood, George 
Whistler, James McNeill 
Wierix, Jan 

Wierix, Jerome 

Wierix, Anton 

Wilkie, Sir David 

Wille, John George 
Williams, Robert, Junior 
Woollett, William 
Water-color Paintings, etc. 


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No. 59—Reduced 


Io 


pte § 


CATALOGUE. 


ALDEGREVER (HENRY) 
One of the *« Little Masters.” 1502-1562. Engraver. German. 
(His plates are finished with great precision and delicacy in the style of Durer.) 


Adam. 1529. Small. Bartsch, 9 
Eve. 1529. Small. Bartsch, 10 


ANDERLONI (PIETRO) 
1734-1840. Engraver. German. 


The Judgment of Solomon. After Raphael. Line. Open-letter proof. Fourth state. 
Andresen, 3. Apell, 2. Folio. Framed and glazed 


AUDRAN (BENOIT) 


1661-1721. Engraver. French. 


Jean Baptiste Colbert. After C. La Fevre. Zzme. Oval. Brilliant early impression. 
Folio 


BALECHOU (JOHN: JAMES) 
1715-1764. Engraver, French. 


Sainte Geneuieve, Patrone de Paris. After C. Vanloo. Line. Folio. Third state, 
before the horizontal lines in title... Andresen, 1. Very rare ; 


BANKEL (JOHANNES) 
1837 


Castor. and Pollux Carrying off Phoebe and Elaira, Daughter of, ie ae After 
Peter Paul Rubens. Line. India proof before all letters. Folio. 


Engraver. German, 


BARTOLOZZI (FRANCESCO) 


1730-1813. Engraver. Italian. 


Oliver Sougell. Portrait. . After R. Walker: .. Open-letter oe Stipple. Pub- 
lished, 1802. Fine. Framed and glazed 


Rachel Hiding the Idols of Laban. After Cortona. Line, in brown. Folio. Andresen, 2 

The Harl of Mansfield, in robes of office. After Sir Joshua Reynolds. Line and 
. stipple.- Published, 1786. Fine impression 

Three Heads. After Cipriani. In red. Folio | 


BARTLEY (HENRY W.) 


Etcher and Engraver. English. 


Henry Irving and Ellen Terry, as Mephistopheles and Margaret. Mezzotint. Japan 
paper remarque proof. Signed. Folio 


I2 


13 


14 


15 


16 


17 


18 


19 


20 


21 


22 


23 


2 


BAUSE (JOHN FREDERICK) - 
1738-1814. Engraver. German. 


Peter the Great. Portrait. After §. Le Roy. Line. Folio. Proof before all letters 
and border. Andresen, 11. Apell, 66. K., 119. 


BEAUVARLET (JAMES FIRMIN) 
1733-1797. Engraver. French. 


The Marquis de Pombal. Seated on a terrace overlooking the harbor of Lisbon. Por- 
trait. After J. Vernet and L. M. Vanloo. Lime. Large folio. Proof before all 
letters, Only fifty impressions taken. Very rare. Andresen, 18. Apell, 44 


BEHAM (HANS SEBALD) 


One of the « Little Masters.” 1500 ——. Engraver. German. 


Adam and Eve. 1543. Very fine and rare. Small. Bartsch, 6 


BERGHEM (NICHOLAS) 
1624-1683. Etcher. Dutch. 


Crossing the Brook. Third state. 4to. Bartsch, 12 


BERVIC (CHARLES CLEMENT) 
1756-1822. Engraver, French. 
The Education of Achilles. After J. B. Reynault. Very fine and rare. Proof before 
all letters. First state. Andresen, 3; Apell, 2 


Elénvement de Dejanire. After Guido Reni. Third state, before the inscription. Line. 
Folio. Andresen, 3; Apell, 2. Framed and glazed 


BLANCHARD (AUGUSTE THOMAS MARIE) 
1819 ——. Engraver, French. 


The Descent from the Cross. After Peter Paul Rubens. Line. Remarque proof. 
Eleventh impression. Apell, 2. Framed and glazed 


BLOOTELING (ABRAHAM) 
1634-1685. Engraver and Etcher. Dutch. (One of the earliest mezgotint engravers.) 
Hieronymus van Beverningk, Ambassador to London. Portrait. After Maes. Jezzo- 
tint. First state, before the letters. Folio. Very fine. Brilliant impression. An- 
dresen, 12 
SEE REDUCED FACSIMILE, ; 
A. Bidloo, surgeon. Portrait. After Maes. Line. First state, before all letters. Very 
fine. Folio. Andresen 1. Fyrom the Didot Collection 
Cornelius de Wit, brother of the Grand Pensionary of Holland. Portrait. After de 
Bane. Aezzotint. Brilliant impression. Folio 
John de Wit, Grand Pensionary of Holland. Portrait. After de Bane. JA/ezzotint. 
Brilliant impression. Folio 
Michael Adriaensz Ruyter, Admiral. Portrait. Avching. Brilliant im pression. Very 
fine. Folio 


Ne. 71—Reduced 


24 


25 


26 


27 
28 


29 


30 
31 
aa 
33 
34 
35 
36 


37 


38 


39 


40 
41 


3 


BOCKMAN (G) 
Eighteenth Century. Engraver. English, 


The Right Honorable Sir Thomas Reeve, Lord Chief Justice of the Court of Common 
Pleas. Portrait. After Amiconi. Mezzotint. Folio. Fine impression. Very rare 


BOLSWERT (SHELTIUS A) 
1586 ——.. Engraver. Flemish. 


Haymakers Returning from the Field. After Peter Paul Rubens. Zine. Folio. Fine 


BOSSE (ABRAHAM) 
1603-1676. Engraver. Frerch. 


Printing from Copperplate. Zzme. Andresen 11 (4) 


DE BOISSIEU (JEAN JACQUES) 
1736-1810, Painter and Etcher. French. 
St. Jerome. itching. Folio. Framed and glazed. Andresen, 1 


A View near Tivoli, with aman and a woman mounted on a mule, driving cattle 
through a rivulet. itching. Folio. Framed and glazed. Andresen, 17 


Wood Gatherers Pulling Down an Old Tree. Ziching. Folio. Framed and glazed. 
Andresen, 16 


BUCHOT (FELIX) 
Etcher. French. 

Landing at Trouville, 1877. Before the inscription. Folio. K., 127 
La Féte Nationale du 30 Juin, au Boulevard Clichy, 1878. Folio 
A la Place Breda, 1879. Folio 
A la Place Pigalle, 1878. Folio. With artist’s seal in red 
Debarquement en Angleterre, 1879. Folio. With artist’s seal in red 
Les Petites Chaumiéres. With artist’s seal in red 
Banks of River Medway, near Rochester. Folio. With artist’s seal in red 


CANTARINI (SIMONE) 
1612-1648. Etcher. Italian. 
The Repose in Egypt. Falsely marked G. Renus, in, & fec. Etching. 4to. Bartsch 
3. Fine 


CARONNI (PAOLO) 
1779-1842. Engraver. Italian. 


Raphael Morghen. Portrait. Line. Proof before all letters. Folio. Andresen, 14 


CARPIONI (GIULIO) 
1611-1674. Etcher. Italian. 


Holy Family. ching. Folio. Second state. Andresen, 14; Bartsch, 8 


CARACCI (AGOSTINO) 

1558-1601. Engraver. Italian. 
Titian. Portrait. Folio. Second state. Andresen, 20; Bartsch, 154 
Pan Overcome by Love. 1577. itching. Bartsch, 116 


42 


43 


44 


46 


47 


48 


49 
50 
51 
52 


53 
54 


4 


CHAUVEL (THEOPHILE NARCISSE) 
1831 ——. Etcher. Freneh. 


L’Etang. After Corot. Ztching. Folio. Fine 


CORBUTT (CHARLES) 
1736 ——. Engraver. English, 


Jean Jacques Rousseau. Portrait. After A. Ramsay. JJezzotint. Brilliant impres- 
sion. Folio. Andresen, 3. One of his masterpieces 


CLAESSENS (,AMBERTUS ANTONIUS) 
1764-1834. 
La Femme Hydropique. After Gerard Dow. JLzme. Folio. Brilliant impression. 
Andresen, 6; Apell, 7 


COUWENBERG (HENRIK WILHELM) 
1814-1845. Engraver, Dutch. 


La Menagére Hollandaise. After Gérard Dow. (Drawn by Couwenberg and finished 
by J. W. Kaiser.) Zzwe. Folio. Andresen, 1; Apell, 2. Framed and glazed 


DALEN (CORNELIUS VAN) 
1620 ——. Engraver, Flemish. 


CHARLES II. of England, in armor. After P. Nason. Line. Proof before all letters, 
Very fine and rare. Andresen, 12 


DANGUIN (JEAN BAPTISTE) 
1823 ——. Engraver. French. 
Portrait of a Lady. After Rembrandt. Line. Artist’s proof. Presentation copy. 
‘‘Offert a M. Reiset, Directeur des Musées, l’hommage de l’Auteur, Danguin.”’ 
Folio. Apell, 6. Framed and glazed. 


DAULLE (JEAN) 
1709-1763. Engraver, French. 


Mile. Pelissier, as Flora (of the Theatre Francaise). After H. Drouaise. Choice early 
impression. ZLzze. Folio. Andresen, 25 


DEBAINES (ALFRED LOUIS BRUNET-) 
1845. Etcher, French. (One of the most noted of modern French etchers.) 
The Valley Farm. After Constable. Chozce open-letter proof. Folio. Framed and 
glazed 
Chill October. After Millais. Artist's proof, signed by both painter and etcher. Folio. 
Framed and glazed 


At Eventide there shall be Light. After B. W. Leader. <Artis?’s proof, signed by 
both painter and etcher. Folio. Framed and glazed 

The Burial of Wilkie. After J. M. W. Turner. Artists proof, signed. Second state. 
Of which only one hundred and fifty were printed. Folio. 


Thatched Cottage. After Corot. Small but beautiful etching, on parchment 


* The Heath. After Corot. Small but beautiful etching on parchment 


dln as 6 CULE ou ie i Yeah RESS O He Peccsglle 


« pat Deseky Sane 4 VRE 
ig Conits a) ers Sehr ee oo ugh Fn: eR en ES en 


Le. 72—Reuced 


i 


She) 


56 


57 


58 


59 


60 


62 


63 


64 


65 
66 


67 


68 


69 


7O 


5 


Rouen Cathedral (South Portal). Artist's proof. Inscribed ‘‘A Mr. Max Lalanne, son 
eléve, Brunet-Debaines. Folio 


On the Strand, London. Artist's proof, signed. Folio 


DESNOYERS (A. G. L. BOUCHER) 
1779-1857. Engraver. Wrench. (One of the most eminent engravers of his time.) 
La Vierge de la Maison D’Albe. After Raphael. Line. Choice copy. Second state. 
With monogram stamp of the engraver. Folio. Andresen, 9; Apell, 9 


Napoleon the Great, in coronation robes. After F. Gérard. Line. Magnificent copy. 
Second state. With stamp of Imperial eagle. Folio. Andresen, 28; Apell, 4o. 
Framed and glazed 


One of the most noted prints of the Nineteenth Century. 


Belisarius. After F. Gérard. Chotce artist’s proof. ‘‘Epreuve de Choix. B. Des- 
noyers.’’? With stamp. JZzme. Folio. Andresen, 22; Apell, 25 


One of the most sought alter engravings, and a magnificent copy. SEE REeDUCED FACSIMILE. 


Charles Maurice de Talleyrand. Portrait. After F. Gérard. Zine. Folio. Andre- 
sen, 29; Apell, 44 


DICKSEE (HERBERT) 
Etcher. English. 


Roused. (Lion and lioness in a cave.) Artist's proof, signed. Folio. 


DIETRICH (CHRISTIAN WILLIAM ERNEST) 
1712-1774. Eicher. Germah. 
Nymphs Bathing in a Grotto. 1741. Beautiful specimen. First state. Folio. An- 
dresen, 34; Linck, 136 
The Vender of Rat-Poison. 1757. Very fine. 8vo. Andresen, 25; Linck, 70 


DIXON (JOHN) 
1740-1780. Engraver. English. 
Betty. Young girl with a basket of fruit. After Falconet. Jfezzotint. Proof before 
all letters. Folio. Very fine. Andresen, 6 


¢ 


DREVET (PIERRE, THE ELDER) 
1664-1739. 
Alexandre de Bourbon, Comte de Toulouse, with the Glove. After H. Rigaud. Live. 
Brilliant impression. Folio. Andresen, 16 
Alexandre de Bourbon, Comte de Toulouse, without the Glove. After H. Rigaud. 
Line. Brilliant impression. Folio. Andresen, 17 


René Francois de Beauvau, Archbishop of Narbonne. After H. Rigaud. Line. Beau- 
tiful impression. arly state. Folio. Andresen, 19 
Noted for the beautiful engravinz of lacework. 

Pierre Gillet, with Gray Hair. After H. Rigaud. Live. Fine impression. Firsé state. 
Folio 

Mary de Neufchatel, Duchess de Nemours. After H. Rigaud. Zzwe. Fine early im- 
pression. Folio. Andresen, 29 


Louis Hector, Duc de Villars, in armor. After H, Rigaud. Zzve. Finecopy. Second 
state. Folio. Andresen, 11 


71 


72 


73 


74 


75 
76 
ih 
78 
79 
80 
8I 
82 
83 
84 
85 
86 
87 
88 
89 


go 
gi 
92 
93 
94 


95 
96 


97 
98 


6 


DREVET (PETER, THE YOUNGER) 
1697-1739. Engraver. French. 


Adrienne le Couvreur, in the Character of Cornelia. After Charles Coypel. Lzne. 
Superb impression of the second state, before the ‘‘e’’ in ‘‘ modele.’’ Extremely 
rare. Folio. Andresen, 23 
SEE REDUCED FACSIMILE. oF ae 

Guillaume, Cardinal du Bois, Archbishop of Cambray. After H. Rigaud. Lane, 


Magnificent brilliant impression. Folio. Andresen, 12 

Censidered his masterpiece, and affording one of the most beautiful examples to be had of engraving of 
Fur and Lace. ; 

SEE REDUCED FACSIMILE, 


Samuel Bernard, Conseiller d’Estat. After H. Rigaud. Zzme, Fine. Folio. Andre- 


sen, IO 


DREVET (CLAUDE) 
1710-1768. Engraver.. French. 


wou Oswald, -Cardinal d'Auvergne. ” After H. Rigaud. Magnificent specimen of 
lace work. Brilliant 1 {en DF eSon, Line. Folio. Andresen, 2 


DURER (ALBRECHT) 
1471-1528, Engraver and Etcher. (Founder of the German School.) oes 

aes eek: | 3 PASSION SERIES 
The Man of Sorrows. Very fine: Bartsch, 3. ~ Andresen, 3 
Christ Praying Upon the Mount of Olives. Very fine. Bartsch, 4; Andresen, 3 
Christ Siezed by the Jews.. Very fine. Bartsch, 5; Andresen, 3 ° 
Christ Before Caiaphas. Very fine. Bartsch, 6;.Andresen, 3 
The Scourging of Christ. Very fine. Bartsch, 8: Andresen, 3 
Christ Crowned with Thorns. Very fine. Bartsch, 9; Andresen, S45 
Pilate.Washing his Hands. Very fine. Bartsch, 11; Andresen, 3 
The Bearing of the Cross. Bartsch, 12; Andresen} 3 
The Bearing of the Cross. Very fine. Bartsch, 12; Andresen, 3 
The Crucifixion. Very fine. Bartsch; 13; Andresen, 3 
The Descent from the Cross. ° Very fine. Bartsch, 14; Andresen, 3 
The Entombment of Christ. Very fine. Bartsch, 15; Andresen, 3 
The Resurrection. Very fine. Bartsch, 17;.Andresen, 3 
The Prodigal Son. Very fine. Bartsch, 28; Andresen, 10 


St. Jerome in his Cell. .1514 | Magnificent i impression, Bartsch, 60; Andresen, 22 


May well be considered Durer’s masterpiece. re says it would be difficult to select a more perfect 
specimen of executive excellence than this print. 
SEE REDUCED FACSIMILE. « 


Idleness : or the Dream. Bartsch, oes 

Les Offres d’ Amour. Bartsch. 93. eee) hone 

The Cavalier and the Lady.’ Fine. Bartsch, 94 

The Great Horse. Very fine. Bartsch, 97 

Christ Presented to the People by Pilate. _ (Great Passion Series. > Woodeut. Bartsch, 9. 
Andresen,’ 40 

The Angel Appearing to St. Joachin. (Life of the, Virgin Series: ) Woodcut. Bartech: 78. 
Andresen, 44 

The Circumcision. (Life of the Virgin Series), with Latin text. Woodcut. Bartsch, 86, 
Andresen, 44 

Hercules. Woodcut. Bartsch, 127. (From the Haussmann Collection. ) 

The Warrior on Horseback followed by a Halberdier. Woodcut. Bartsch, 131 


IR HE NTI Na NORE Sea oS NTR RMR et or We 


No. 89—Reduced 


~ 


/ 


DUPONT (LOUIS PIERRE HENRIQUEL) 
1797 ——. Engraver. French. 


99 Lord Stafford, on his way to the Scaffold, receiving the Blessing of Archbishop Laud. 


100 


Io! 
102 
103 


104 
105 


106 


107 


108 


109 


IIo 


PET 


112 


113 


After Paul Dela Roche. Ofen-letter proof. Line. Andresen, 10; April 9 


DUSART (CORNELIUS) 
1665-1704. Etcher. Dutch. 


The Great Village Festival. Zvching. Beautiful copy of the first state. Folio. 
Very rare. Andresen, 9 


VAN DYKE (ANTONIO) 
1§99-1641. Painter and Etcher. Dutch. 
Johannes Snellinx, Artist. Portrait. itched. Fifth state. Folio. Andresen, 14; 
Weber, 10 
Antonius Cornelissen. Portrait. itched. Second state. Rare. Andresen, 5; 
Weber, 3 
Johannes Breughel, Artist. Portrait. itched. Fifth state. Very rare. Andresen, 
3; Weber, 1 
Adam van Noort, Artist. Portrait. itched. Fifth state. Andresen, 12; Weber, 8 
Justus Suttermans, Artist. Portrait. Atched. Andresen, 17; Weber, 12 


EARLOM (RICHARD) 
1726-1822. Engraver and Etcher. English. 


Flower Piece. After Van Huysum. Mezzotint. Brilliant impression. Folio. An- 
dresen, 41. Framed and glazed 


EDELINCK (GERARD) 
1627-1707. Engraver. French. (One of the greatest of line engravers.) 
Moses. Half length, holding the tables of the law. After P.de Champagne. En- 
graved conjointly with Nantueil. Zzze. Folio. Andresen, 1 


Philip de Champagne. Portrait. After P. de Champagne. JLzmze. Folio. Brilliant 


impression. Second state. Rare. Andresen, 18; R. D., 164 
SEE REDUCED FACSIMILE. 


Martinus Vanden Baugart. Portrait. After H. Rigaud. Magnificent, velvety im- 
pression. Live. Folio. Andresen, 20; R. D., 162 
SEE REDUCED FACSIMILE. 


Nathanael Dilgerus, Pastor in Danzig. Portrait. Zzve. Fine impression. Rare. 
Andresen, 21; R. D., 185 

Antoine Arnauld. Portrait. After P. de Champagne. First state, before Chereau’s 
address. Line. Folio. R.D., 140 


VAN ELTEN (KRUSEMAN) 


1829 —— Etcher. American. 


A Gust of Wind. Scene near New Milford, Conn. Zéching. Folio. Proof before 
letters 


FARRER (HENRY) 
1843-1891, Etcher, American. 


The Night Serene and Still. A¢ching. Folio. Proof before letters 


114 


115 


116 


117 


118 


119 


120 


I2I 


122 


123 


124 


125 


126 


127 


8 


FELSING (GEO. JACOB) 
1802 ——- Engraver. German. 


Salvater Mundi. After Leonardo da Vinci. Line. Remargque proof. White fringe 
on collar. Signed. Andresen, 19; Apell, 6 


FERRIS (STEPHEN J) 
Etcher. American. 
Fortuny Dead. Eiching. Artist's proof, signed. No. 13 of only sixty impressions. 
Folio 
The Mandolin Player. After Fortuny. Eiching. India proof. Folio 


FICQUET (ETIENNE) 
1719-1794. Engraver. French. 


Mme. de Maintenon. Portrait. After Mignard. JLzze. Second state. Folio. 
Andresen, II 


FLAMENG (LEOPOLD) 
1831 —— Etcher. French. 
Professor Huxley. Portrait. After Sir J. Collier. Atching. Artist's remarque 
proof. Signed by both painter and etcher. Folio. Framed and glazed 


Christ Appearing in a Vision to Boers Drinking in a Tavern. Artist’s proof, signed. 
1861. Large folio 


FORSTER (FRANCOIS) 


1730 —— Engraver. French. 

La Vierge, au bas-relief. After Leonardo da Vinci. Line. Choice proof before the 
inscription. With Forster’s stamp. Impression No. 101. Very rare. Andresen, 2; 
Apell, 1. Large folio : 

St. Cecilia with two Angels. After Paul de la Roche. Proof before the inscription. 
Line. Warge folio. Andresen, 6; Apell, 8 ; 

Aurora and Cephalus. After P. Guerin. Choice open-letter proof. Line. Varge folios 
Andresen, 10; Apell, 9 

Titan’s Mistress. After Titan. With address of Artaria and Fontaine. Superb old 
impression. ZLzve. Folio. Andresen, 15; Apell, 18 

The Duke of Wellington. Full length, in uniform. Portrait. After F. Gérard. 
Line. Brilliant impression. Folio. Andresen, 20; Apell, 28 


FORTUNY (MARIANO) 
1836-1874. Etcher. Spanish. 


Arab Watching the Body of his Dead Friend. L¢ching. Proof before letters. Rome, 
1866. Folio. Rare 


FRANCOIS (ALPHONSE) 


1811 ——. Engraver. French. 


Marie Antoinette Leaving the Tribunal. After Paul dela Roche. Line. Superb 
proof, before all letters, on India paper. First state. Andresen, 5; April 7. Folio. 
Framed and glazed 

The Birth of Venus. After A. Cabanel. Line. Artist's proof on India paper, signed. 
Folio : 


pons O ha 
Pirie yh 


No. 108—Reduced 


128 


129 


130 


131 


132 


133 


134 


135 


136 


137 


— 


9 


FREIDHOFF (JOHANN JOSEPH) 
1768-1813. Engraver, German. 


Joseph and Potiphar’s Wife. After C. Cignani. Mezzotint. Rich and brilliant im- 
pression. Folio. Andresen, 1 


GAILLARD (CLAUDE FERDINAND) 
1789-1863. Engraver. Frnch. 


CHdipus. After Ingres. Artist’s proof. Signed by painter and engraver. Folio. 
Andresen, 4 


St. George and the Dragon. After Raphael. Chozce artist’s proof on India paper, 
signed. Very fine. Folio 
Gaillard’s last plate. 


L’Homme a L’Oeillet. After Van Eyck. Jndia proof. Folio. Andresen, 6 


GARAVAGLIA (GIOVITA) 


1790-1835. Engraver. Italian. 


Giovanni Boccaccio. Portrait. After Longhi. Line. Proof before letters, with en- 
graver’s stamp. Folio. Andresen, 14; Apell, 14 


GELEE (CLAUDE [LORRAIN]) 
1600-1682. Painter and Etcher. French. 


The Wooden Bridge. itching. Third state. (No. 100n margin.) 4to. Andresen, 
14; Apell, 14 


GELEE (FRANCOIS ANTOINE) 
1796-1860. Engraver. French. 


Daphne and Chloe. After L. Hersent. Line. Magnificent artist’s proof. 1824. 
First state. From the Louvre collection. Folio. Andresen, 2; Apell, 4 


GILBERT (ACHILLE) 


1828 ——. Etcher. French, 


Foraging Party (Boars in a Wood). After Rosa Bonheur. ELiching. Artist's re- 
marque proof (head of etcher). Signed by painter and etcher. Varge folio. Framed 
and glazed 

On the Alert. (Stag in a Wood.) After Rosa Bonheur. Artist’s remarque proof. 
Head of Bonheur. Signed by both painter and etcher. Warge folio. Framed and 
glazed 
A magnificent pair of etchings. 

The Young Prince. (Head of lion, full face.) After Rosa Bonheur. Artist's proof. 
Signed by painter and etcher. ‘‘ Kpreuve d’art avant la remarque. A. Gilbert’’ 


138 


139 


140 
141 


142 


143 


144 


145 


147 


148 


149 


10 


GOLTZIUS (HENDRIK) 
1558-1616, Engraver. Dutch. 
The Murder of the Innocents. C. Visscher exc. First state, before J. C. Visscher’s 


address. Very fine andrare. Line. Large folio. Andresen, 8; Bartsch, 8 
The plate was not finished. 


The Great Dog of Goltzius with the Son of the Painter Frisius. Zzze. Splendid 
early impression. From the Baron Liphart Collection. Veryrare. Andresen, 32; 
Bartsch, 179 

Johannes Zurenus. Portrait. Fine and rare. /zwe. Andresen, 31; Bartsch, 189 

Catherine Deker. Portrait. Fine and rare. From the Marietta Collection, 1670. 
Bartsch, 210 


GOYA (FRANCESCO) 
1746-1848. Etcher. Spanish. 


D. Gaspar de Guzman, Conde de Olivares on horseback. Portrait. After Velasquez. 
Etching. Andresen, 11 


VAN GARVESANDE (CHARLES STORM) 
1841. Etcher. Dutch. 


Au bord du Gein, prés d’Abcoude. Artist's proof on vellum, signed. Hammerton, 135 


Of this beautiful etching Hammerton says: “This is one of the most perfect etchings produced by the 
modern schools; so perfect indeed, that if I were restricted to the possession of six modern etchings, this 
should be one of them, The material is nothing but a river shore, with a few trees and bushes, and a 
windmill. The sky and the water are both great tranquil spaces of white paper, etc. This etching is in- 
deed a perfect model for three great qualities, whose union is rare indeed, It is both very tender and very 
strong, and at the same time very reserved in the best and wisest way.” 


Village of Zandvoort. Artists proof, signed. On Holland paper. Folio. Very fine. 


GREEN (VALENTINE) 
One of the most noted Mezzotint Engravers. 1739-1831. Engraver. English. 


Miss Hunter. Portrait. After E. F. Calbe. MMezzotint. Superb impression. First 


state, before letters. Folio. Very rare. 
SEE FACSIMILE. 


VAN GUNST (PETER) 
1667-1724. Engraver. Dutch. 


John Churchill, Duke of Marlborough. Portrait. After Sir G. Kneller. Line. 
Brilliant impression. Folio. Andresen, 8 


GUTTENBERG (CARL) 
1743-1792. Engraver. German. 


John Paul Jones. Half length, on board a man-of-war in action. After a drawing 
by C.J. Notté. Zine. First state. Folio. Andresen, 8. Very rare 


HADEN (FRANCIS SEYMOUR) 
1818 ——,. Etcher. English. 


Sunset in Ireland. 1863. Superb artist's proof, signed. Folio. Very rare 
A magnificent work of art. 

In reference to this etching, Messrs. Frederick Keppel & Co. say, “About the Haden « Sunset in Ireland,’ 
we beg to assure you that it is a,unique state, simply a trial taken before the plate was finished, or rather 
before it reached the condition in which it was published. There were other trials taken, with more or 
less work, but they are described in Drake’s Catalogue. This proof escaped Mr. Haden’s notice when he 
was supplying information for that book.” 


Fulham on the Thames. Swzperdb artist's proof, signed. Folio, Very rare 


No. rog—Reduced 


150 


151 


152 
153 


154 


155 
156 


157 
158 


159 


160 
161 
162 
163 
164 
165 
166 
167 
168 
169 
170 
171 
172 


173 
174 


175 


176 


EE 


HAID (JOHN GOTTFRIED) 
1710-1776. Engraver. German. 
Right Honorable Charles Pratt, Baron Camden, Lord High Chancellor of Great Brit- 


ain. After Sir Joshua Reynolds. Mezzotint. Beautiful impression. Folio. 
Very rare and fine 


HAIG (AXEL, H.) 
1835 —— Etcher. Swedish, (The most noted etcher of architectural subjects of the day.) 


Westminster Abbey. View from St. Edmund’s Chapel. Artist’s proof, signed. 
Large folio. Framed and glazed 


Westminster Abbey. Entrance to Poet’s Corner. Artist's proof, signed. Folio 


Westminster Abbey. North Chancel Aisle. Artisi’s proof, signed. Large folio. 
Framed and glazed 


Westminster Abbey. A Dark Corner, Entrance to S. Aisle of Henry VIII’s Chapel. 
Artist’s proof, signed. Folio 
Westminster Abbey. Poet’s Corner. Artist’s proof, signed. Folio 


Westminster Abbey. View of the Chancel from the South Transept. Artist's proof, 
signed. Folio 


Westminster Abbey. The Cloisters. <Artist’s proof, signed. Folio 

Mont St. Michel. Artist's proof, signed. Large folio. Framed and glazed 

see Cathedral—La Giralda. Artis?’s proof, signed. large folio. Framed and 
gla X 

Gate of Seville Cathedral. Artzst’s proof, signed. Warge folio. Framed and glazed 

Alcazar at Segovia. <Artist’s proof, signed. Large folio 

Magdalen College, Oxford, Artist's proof, signed. Large folio 

South Aisle, Chapel Royal, Holyrood. Artist's proof, signed. Folio 

Cathedral of Upsala. Artist’s proof, signed. Large folio. Framed and glazed 

Interior of the Cathedral of Upsala. Artist's proof, signed. Large folio 

Pulpit at Verona. Artist's proof, signed. Large folio 

Moorish Archway, Toledo. Artist's proof, signed. Folio 

In the Arab Quarter, Cairo. Artist's proof, signed. Large folio 

The Lace Makers of Mechlin (Flemish lace makers). Artist's proof, signed. Folio 

In Rhineland. Artist's proof, signed. Folio 

Waiting for the Ferry. Ljtibeck. Artist's proof, signed. Large folio 

The Sailor’s Guild. Liibeck. Artist's proof, signed. Large folio 


HALPIN (F) 
Etcher. American. 


Oliver Wolcott. After Earle, in 1782. Mixed. 4to 
Frederick Wolcott. After Waldo, in 1835. Mixed. 4to. 


HECHT (W) 
Nineteenth Century. Etcher, German. 
Altar Piece in Church in Karnthen. After Jan. Schoreel. Juda proof etching. Warge 
folio. 


HERKOMER (HERBERT) 
1849 —— Etcher. English. 


Henry M. Stanley. Portrait. Artist’s proof, signed. Folio 


177 


178 


179 
180 


181 
182 


183 


184 


185 


186 


187 


188 


12 


HODGETTS (THOMAS) 
Engraver. English. 


Horatio, Lord Viscount Nelson, K. B., Duke of Bronte. After Sir Wm. Beechey. 
Mezzotint. Open-letter proof. Folio. 


HOLL (WM) 
1845 —— Engraver. English. 


Lloyd, Lord Kenyon. Lord Chief Justice of England. Portrait, in robes of office. 
After G. Romney. S#ple. Brilliant impression. Large folio. Very rare. 


HOLLAR (WENCESLAUS) 
1607-1677. Etcher and Engraver, English. 
A Muff. Ziching. 1647. Parthey, 1951 


Pietro Aretino. In profile. Portrait. After Titan. itching. Early state. ato. 
Andresen, 26; Parthey, 1346 


Pietro Aretino. Full face. Portrait. After Titan. itching. 4to. Parthey, 1348 


Thomas Howard. Earl of Arundel. In armor, by the column. After Van Dyke. 
Etching. First state. Very rare. 4to. Andresen, 27; Parthey, 1353 


Proclamation of the Treaty of Peace between Spain and the Netherlands, before the 


~ ‘Town Hall, Antwerp, 1648. Line. Folio. Andresen, 15; Parthey,. 561 


HOUBRAKEN (JACOB) 
1698-1780, Etcher and Engraver. Dutch. 


Cornelius Eversdyk. Portrait. After W: Eversdyk. From the W. Drogulen Col- 


lection, Leipzig. Zive. Brilliant impression. Folio 
In Holland they claim that this portrait is as fine as Nantueil’s « Poempone.” 


Duke of Marlborough, Prince Eugene, and Prince of Orange. ule portraits in 
ovals on one sheet, surrounded by emblems of war. Line. Fine proof before all 
letters. Very rare, Folio 


HOOVENDEN (THOMAS) 


Etcher. American. 


A Morning Shave. Artis?’s remarque proof, on Japan paper, signed. Folio 


JACQUE (CHARLES) 


1813 ——. Painter and Etcher. French. 


‘Early Ploughman with Horses. Pvoof, before letters, on India paper. Folio 


JACQUE (FREDERICK) 


1859 ——._Etcher. French. 
Le Retour (Sheep piece, Evening). After C. Jacque. <Artist’s remarque proof, signed 
by painter and etcher. ‘‘ Pour me rappeler A son bon Souvenir. F. Jacque.” 


Large folio. Framed and glazed 


No, 145—-Reduced 


189 


190 


IgI 


192 


193 


194 


195 


196 


197 


198 


199 


13 
JACQUET (JULES) 


1841 ——. Etcher. French, 


Cavalry Charge. Battle of Friedland. 1807. After Meissonier. Artist’s proof, 
on Japan paper, signed by painter and etcher. Large folio. Rare 


“1814.” After Meissonier. Artist's proof, signed. Large folio. Framed and glazed 
Rare 


JESI (SAMUELE) 
1789-1853. Engraver Italian. 


Pope Leo X, with the Cardinals de Medici and de Rossi. Portraits. After Raphael. 
Line. Chotce remarque proof, with white cuff buttons. Warge folio. Andresen, 8. 
Framed and glazed 


DE JODE (PETER, THE YOUNGER) 
1606-1660. Engraver. Dutch. 


Charles I. of England. In Armor. After Van Dyke. Line. Superb impression, 
Folio. Very rare 


DE JODE (PETER, THE ELDER) 
1570-1634. Engraver. Dutch. 
L’Espagne. Live. Fine impression. Very rare 


KOEPPING (C.) 
1848 ——. Etcher. German. 


Munkacsy and his Wife in his Studio. After Munkacsy. Artist’s remarque proof, on 
parchment, signed by painter and etcher. Rare and fine. 


Andreas Hofer. -After Munkacsy. Artists remargque proof, signed by painter and 
etcher. Fine and rare. Framed and glazed 


KRATKE (L,) 
Nineteenth Century. Etcher. French. 


The Arquebusier. After Fortuny. <Artist’s remargque proof, on parchment, signed. 
Folio. Very fine. 


KRUG (LUCAS) 
1535 ——- Engraver. German, 


The Adoration of the Magi. In the style of Lucas of Leyden, 1516. Extremely 
rare. Andresen, 2; Apell, 2 


LAMOTTE (ALPHONSE) 
1844 —— Engraver. French. 
La Source. After EK. Munier. Line. Artist's proof, on India paper, signed by painter 
and engraver. Large folio 


A Daughter of Eve. After Falero. Line. Artist's remarque proof, on Japan paper, 
signed. Folio ; 


200 


201 
202 


203 
204 


205 


206 


207 


208 © 


209 


210 


14 


LALANNE (MAXIME) 
1827 —— Etcher. French. 


View of Haarlem. itching. Proof before letters. Folio 


LAW (DAVID) 
1831 —— Etcher. English. 
View of Hawthorndon. Artis?’s proof, on Japan paper, signed. Folio. Very fine 


View of. Windsor Castle. Artist's proof, on Japan paper, signed. Large folio. Very 
ane Se ; 


Whitby by Moonlight. Artist's proof, signed. Folio. Framed and glazed 
Ellen’s Isle. <Artis?’s remarque proof, signed. Folio. Framed and glazed 


LE BEAU (PIERRE ADRIEN) 
, 1744 —— Engraver. French. 


Benjamin Franklin. After Desrayes. With Lavater’s autograph characterization. 
Line. 8vo. Rare 


LE COUTEUX (LIONEL) 
1847 —— Eftcher. French, — 
Marshal Prim. Onhorseback. Portrait. After H. Regnault. Artists proof, signed. 
Folio ia ead tae 
L’ HERMITE (LOUIS) 
Etcher. French. 


~ Rouen’ .Cathedral. | -Artist’s’ proof, signed. - (First state, limited to three hundred 


copies.) Large folio 


LEVY (GUSTAVE) 
Nineteenth Century. Engraver. French. 


Rembrandt. Portrait: After Rembrandt. . Line. “Artist's proof, signed. Presenta- 
tion copy. Andresen, 8; Apell, 15 eae 


Racine. Portrait. After A. Sandoz. Line. India paper proof 


_ LEWIS (CHARLES G.) 
Nineteenth Century. Engraver.- English, — . 


Huntsman Taking Hounds to Cover. After Rosa Bonheur. Artist's proof, on India 
paper, signed by painter only. Folio. Framed and glazed 


LEYDEN (LUCAS VAN) 
1499-1533. Engraver. German. 


The Dairymaid. itching. Bartsch, 158 


No. 240— Reduccad 


212 


213 


214 


215 


216 


2x7 


218 


219 


220 


221 


222 


223 


224 


225 


226 


T5 


LONGHI (GUISEPPE) 
1766-1831. Engraver and Etcher. Italian, 


Dandolo, Doge of Venice. Portrait. First state, before the border, with Longhi's 
stamp, Line. Folio. Andresen, 26; Apell, 39 


Eugene de Beauharnais. Portrait. Full length. (‘‘Il ritratto del piume.’’) Zine. 
Choice proof, before letters. Andresen, 18; Apell, 35. Rare in this state 


The Beheading of St. John, the Baptist. After G. Dow. Choice proof, before letters. 
From Longhi’s collection. Very rare. Zzze. Andresen, 29; Apell, 13 


The Entombment. After D.Crespi. Line. Fine proof before letters. From Longhi’s 
collection. Andresen, 28; Apell, 11. Folio 


LUCAS (JOHN) 


1800 ——., Engraver. English. 


Right Hon. Lord Chief Justice Tyndal. Portrait. Half length, in robes of office. 
After John Lucas. MMezzotint. Fine impression. Folio 


MANDEL (JOHN AUGUST EDWARD) - 


1810-1884, Engraver. German, 


La Madonna di San Sisto. After Raphael. Lene. Choice open-letter proof, on India 
paper. Large folio. Apell,5. Framed and glazed. 
A beautiful repreduction of Raphael’s most famous painting. 

La Madonna colle Stelle. After Carlo Dolci. Line. Magnificent proof, on India 


paper. Second state, before the inscription and border. Varge folio. Andresen, 20; 
Apell, 11 


La Madonna della Sedia. (The Madonna of the Chair.) After Raphael. Lane. 
Magnificent trial proof, with the white fillet on the Agnus Det of St. John. Folio. 
Andresen, 18; Apell, 3. Framed and glazed. 


A beautiful work of art, and one of Mandel’s most famous. 

Charles I. of England. ‘Three-quarter length. Portrait. After Van Dyck. Lune. 
Choice India-paper proof. Third state. Folio. Andresen, 15; Apell, 33 

The Warrior with his Child. After T. Hildebrand. Ziuz:. Early impression. Folio. 
Andresen, 3; Apell, 16 


La Bella di Titiano. After Titian. Line. Choice proof before letters. Folio, Andre- 
sen, 19; Apell, 38. Framed and glazed. 


MANFELDT (B.) 


Nineteenth Century. Etcher. German. 


Heidelberg Castle Court. Open-letter proof, on India paper. Very fine. Elephant 
folio. Framed and glazed 

Rathaus at Cologne. Open-letter proof, on India paper. Very fine. Elephant folio. 
Framed and glazed 
A magnificent pair, and twe of the largest etchings of the modern school. E 

The Lorelei. (View on the Rhine.) Remarque proof, on India paper. Large folio. 
Framed and glazed 


Rheingrafenstein. (Nahe Valley.) Remargue proof, on India paper. Large folio. 
Framed and glazed 


227 


228 
229 


230 


231 


e372 


233 


234 


235 


236 


237 


238 


16 


MARATTI (CARLO) 
1625-1713. Painter and Etcher. Italian. 


The Visit of the Blessed Virgin to St. Elizabeth. Etching. Folio. Andresen, 
Bartsch, 3 


MARGELIDON (L.) 
1857 —— Etcher. Frerch. 


The Angelus. (Small.) After Millet. Artist's proof, on Japan paper, signed 


The Sign Painter. After Meissonier. Artist’s remarque proof, on parchment, signed. : 
Folio : 


MARTINET (ACHILLE LOUIS) 
1806 


Rembrandt, with the Gorget. After Rembrandt. Brilliant impression. Lzve. 
Andresen, 15; Apell, 24 


Engraver. French. 


MASSARD (JEAN BAPTISTE RAPHAEL URBAIN) 
1775 ——- Engraver. French. (One of the greatest Engravers of the French school.) a 
Homer, the blind Poet, led by a Youth. After Gérard. Line. Choice Pe letter Fine 
proof. “Folio. Andresen, 6 


A worthy companion to Desnoyers’ great engraving of Belisarius. 


MASSARD (LEOPOLD) 
\ 1866 —— Engraver. French. * 


The Young Widow. After Greuze. Artist's remarque proof (head of a seas 
Folio. 


MASSARD (JULES) 
Engraver. French. 


Mme. Le Brun and her Daughter. After Vigée Le Brun. Line. Aritist’s remarqu a 
proof. Folio. Rie ie 


MASSON (ANTOINE) 
1636-1700, Engraver. French. (One of the greatest masters of the French school, » 
Guillaume de Brisasier. Secretary to the Queen. (The Grey Haired Man.) — 
nificent impression. Second state. With ‘‘ Brisasier’”’ and ‘‘ Serretate 
Folio. Andresen, 7; R. D., 15 ea 


Has never been surpassed, and, as ese says, is a model of lightness and precision. 


Comte d’Harcourt. (Le Cadet a la Perle.) Portrait. After Mipnard; 5 
Choice brilliant impression. Extremely fine. Second state, with figure 4. ; 
Andresen, 6; R. D., 34 ; ue 


Olivarius le Fevre d’Ormesson. Portrait. Magnificent impression. Line. Fi 
Folio. Andresen, 9;R. D., 58 


Marin Curzeus. Portrait. After Mignard, 1665. Line. Furst state, before 
on left cheek. Folio. Andresen, 11; R. D., 24 é 


MATHEY (ARMAND) 
1854 ——. Etcher. French. 


Last Night of the Condemned. After Moka koe saihiae tiiet da proof, sg 
painter and etcher. Folio. 


239 


240 


241 
242 


243 


244 


245 


246 


247 


248 


249 


250 


17 


Charles I. Attended by the Marquis of Hamilton. Portrait. After Van Dyck. 
Artist’s proof, signed. Framed and glazed 


McARDELL (JAMES) 
1710-1765. Engraver. English. 


Portrait of Pine, the Engraver. Mezzotint. Magnificent proof, before all letters. Very 
rare. Folio 
SEE REDUCED FACSIMILE. 


MERYON (CHARLES) 
1821-1868. Etcher. French. 
La Morgue. itching. Very fine impression. Folio. Very scarce 
Rue Pirouettes des Halles. 1860. itching. Folio. Very rare 


(MILIUS (F.) 
Etcher. French. 


lL. Merignac, the Famous Fencing Master. Portrait. Artists’ proof, signed. Folio 


MIELATZ (CHARLES F. W.) 


Etcher. American. 


Fishing Boat, Morning Star, at Low Tide. Artist’s remarque proof, signed, on Japan 
paper. Folio 


MONCKS (J. A. S.) 


Nineteenth Century. Etcher. American, 


Sheep Resting in an Orchard. Artist's remarque proof, signed. Folio. 


MORAN (PETER) 


1842 —— Etcher. American, 


On the Road to Santa Fé. Proof before letters. Folio. 


MORGHEN (RAPHAEL) 
1758-1833. Engraver. Italian. 
La Fornarina. After Raphael. Zzze. Fine old and brilliant impression, with 
Morghen’s stamp. Folio. 
Francesco di Moncada, Duke of Ossono, on horseback. After Van Dyck. Fine itn- 
pression. Second state, before the title; the dedication in open letter. Folio. 
Andresen, 43; Apell, 124 


MORIN (JEAN) 
1612-1666. Etcher. French. 
Henry IV. of France. After Ferdinand. Zéching. Superb impression. rst state. 
From Baron Liphart’s collection. Folio. Andresen, 13; R. D., 60 
St. Charles Borromeo. Portrait. After P.de Champagne. iching. Choice early 
state, before letters. From the Firmin Didot collection. Folio. Andresen, 11 ; 
R. D., 45 


252 


253 


254 
255 


256 


257 


258 


259 


260 


261 
262 
263 
264 


18 


MULLER (JAN) 
1570-1625. Engraver. Dutch. 


Infanta Isabella Clara Eugenia. Portrait. After Rubens. Lime. Fourth state. 
Very fine. Folio. Andresen, 14; Bartsch, 63 


MULLER (CHRISTIAN FRIEDRICH von) 


1782-1816. Engraver. German. 


La Madonna di San Sisto. After Raphael. Magnificent brilliantimpression. Fourth 
state, before the retouch. Varge folio. Andresen, 5; Apell, 3 
Considered by connoisseurs to be the masterpiece of the nineteenth century. Miiller completed the 
plate, but died before seeing an impression from it. This copy has been damaged, in the lower part, by 
broken glass, but has been neatly repaired. 


MURRAY (CHARLES 0.) 
1843 —— Etcher. English. 


Shakespeare’s Tomb, Church at Stratford-on-Avon. Artist's remarque proof, signed. 
Folio 


Porch of St. Mary’s Church, Oxford. Artist's remarg uel, signed. Folio 
Durham Cathedral. Artist's remarque proof, signed. Large folio 


NANTEUIL (ROBERT) 

1630-1678. Engraver. French. 
Pomponne de Bellievre. President of Parliament. Portrait. After C. Le Brun. 
Line. Grand impression. Second state. Rare. Andresen, 6; R. D., 37. Folio. 


Nanteuil’s masterpiece 
SEE REDUCED FACSIMILE. 


Michel le Tellier. Portrait. After C. Le Brun. Zine. Superb impression. First 
state. From the Firmin Didot collection. Folio. Andresen, 25; R. D., 157 


William Egon. Prince of Furstenberg. Cardinal. Portrait. Zzve. Brilliant impres- 
sion. From the Firmin Didot collection. Folio. Andresen, 20; R. D., 100 


NORDHEIM (JOHN GEORGE) 


1804-1853. Engraver. German. 


La Madonna di San Sisto. After Raphael. Line. Magnificent proof before all letters, 
with stamp of E. Arnold, Dresden. V,arge folio. Andresen, 1; Apell, 1 


OSTADE (ADRIAN VAN) 
1610-1685. Etcher. Dutch. 


Le Coup de Couteau. ching. Splendid impression. From the Schloessen collec- 
tion. Bartsch, 16 


Grace Before Meat, 1653. Lfching. Andresen, 5; Bartsch, 34 
The Father of the Family. 1648. Second state. Etching. Andresen, 10; Bartsch, 33 
Rustic Tenderness. fching. Brilliant impression. Bartsch, 11 


Hog-Killing by Night. ichzmg. Brilliant impression. Circular. From the Esdale 
collection. Andresen, 8; Bartsch, 41 


, a} 


Fas Se 
DS 
ER =H 


Ne. 7-56—Reduced 


265 
266 


267 


268 
269 


270 


271 


272 


273 


274 


19 


PALMER (SAMUEL) 
_ Nineteenth Century. Etcher. English. 
The Early Ploughman. Proof, before letters. Folio. Hammerton, 329 
The Bellman. Artists’ remarque proof, signed. Folio 


PARKES (ROBERT BOWYER) 
Nineteenth Century. Engraver. English. 


Mrs. Siddons. Three-quarter length, seated. After Gainsborough.  Mezzotint. 
India paper proof. Large folio 


PARRISH (STEPHEN) 

1846 —— Etcher. American. 
Low Tide, Bay of Fundy. Artist's proof, signed. Folio 
Mills on the Schroon. Artist's proof, signed. Folio 


PENTZ (GREGORY, cattup GEORGE) 


1500-1550, Engraver. German. (One of the “ little masters,’’) 


Christ Blessing Little Children. Fine. Andresen, 4; Bartsch, 56 


PETHER (WM.) 
1731-1795. Engraver. English. (One of the most eminent of English merzotint engravers.) 


The Standard Bearer. After Rembrandt. Mezzotint. Superb brilliant proof, before 


the inscription, with artists’ names etched in. Folio 
Considered by many to be his masterpiece. 


SEE REDUCED FACSIMILE. 


Officer in Cuirass and Plumed Hat. After Rembrandt. Mezzotint. Magnificent 
brilliant impression. Folio. Andresen, 14 
A worthy companion to “ The Standard Bearer,” 


PIERCY (FREDERICK) 
Nineteenth Century. Engraver. English. 


Judah P. Benjamin. Portrait. Mixed. Jndia proof. Folio 


PIGEOT (FRANCOIS) 
1707-1778. Engraver. French. 


Le Ménage Hollandais. After G. Dow. (Engraved by Pigeot and Lacour.) Live. 
Superb brilliant proof, on India paper. Andresen, 7; Apell 2. Framed and glazed. 


PIRANESI (GIOVANNI BATTISTA) 
1707-1778. Etcher. Italian. 
(De Romanorum Magnificentia et Architectura, Rome, 1760, Andresen, 2.) 
Exterior View of the Coliseum. iéching. Brilliant impression. Large folio. 
Framed and glazed 
Interior of the Coliseum. ching. Brilliantimpression. Large folio. Framed and 
glazed 
The Arch of Constantine. Ziching. Brilliant impression. Large folio. Framed and 
glazed 
The Arch of Septimus Severus. tching. Brilliant impression. Large folio. 
Framed and glazed 


20 


PONTIUS (PAUL) 
1596-1658. Engraver. Dutch. 


279 Henry, Count Vandenbergh. In armor. ‘Three-quarter length. After Van Dyck. 
Fine impression of the first state, before Bonenfant’s address. Folio. Andresen, 30 


280 Daniel Mytens. Portrait. After Van Dyck. Sixth state. Folio. W., 56 


280% Rubens, with the hat. After Rubens. Line. Superb proof. Folio. Excessively 
rare. Andresen, 18 ; 


PORPORATI (CARLO ANTONIO) 
1740-1816. Engraver. Italian. 


281 Leda Bathing. After Correggio. . Line. A superb proof before Eiatp with Meas 
arms, First state. Folio. Andresen, 4; Apell, 6. Rare 


RAJON (PAUL ADOLPH) 
Nineteenth Century. Etcher. French. 
282 Le Serment de Vaga. Etching. India’ proof. beset a copy. “A ’ Mercier, 
Rajon.”’ 4s oan 
283 Victor Hugo. . Portrait. After Bonnat. Jndia proof. Folio 


284 Cardinal Newman. Portrait. After W. W. Ouless. “Artist's proof, ipa by painter 
and etcher. Framed and gtazéd. 


The same. Proof before letters. Folio 


285 
286 Alexandre Dumas. . Portrait. Artist's proof, signed. ~ Folio - 


287 The Reverie. Proof before cleansing thé plate. From Rajon’ s eatlestiees (With white 
‘crayon marks on the print, and drawings on the Tange by Rajon himecits ) Folio 


288 Le Peintre. After C. F. Watts.  4to. 

289 .John Stuart Mill. Portrait. After G. F. Watts. Senet! by Raji: ‘Folio. 
290 Relais de Chiens dans le Desert. After Gérome. Folio. Framed and glazed 
291 Corps de Garde d’Arnauts au Cairo. - Folio. _ Framed and elued 


RASP > (CARL GOTTLOB) 


1753-1807. Engraver. German. 


292 Ryckaert, called the Transylvanian. In arinchair: © Portrait. After Van: Dyck. Line. 
Proof, before inscription. First state. _ Folio. Andresen, 2 


REMBRANDT (PAUL VAN RYN) | 
1606-1675. Painter and Etcher. Dutch. (The great father of etching). 


293 .The Mill, formerly called. ‘‘ Rembrandt’s’ Mill.” Very fine inipression.’ BL. 3333 
B. 233; Cl. 230; W. 2303. A. 38°, : : . i Sigs 


294 St. Philip, Baptizing the Eunuch. Fine. B. a Cl, 101; W. 103;° Bl. 69 


295 The Death of the Blessed. Virgin. Magnificent impression. Second state. Folio. 
B. 99; Bl. 70; Cl. 102; W. 104 


296 The Woman of Samaria, called ‘‘Aux Ruines.’”’ Fine. Bl. 46; B. 71; W. 75; Cl. 75; 
Andresen, 9 


297 Rembrandt and Saskia. Fine. Bl. 203; B. 19; Cl. 19; W. 19 
298 Uytenbogaert (The Gold-weigher). Bl. 189; B. 281; Cl. 278; W. 283 
299 The Schoolmaster. 1641. Bl. 99; B. 128; Cl. 129; W. 131 


No, 271—Reduced 


We Ace eas 


einen es crete 


4% 


eet ee ee a 


v 


¥ 


300 


301 
302 
303 


304 


395 


306 


307 


308 


309 


310 


311 


313 


314 


21 


A Woman, naked, seated on a bank. Fine impression. From the Brentano col- 
lection. Bl. 162; B. 198; Cl. 195; W. 195 


Old Man with Short Beard. (The Beggar.) BI., 115; B., 151; Cl., 148; W., 149 
Dion Tint.” Bly) 386;)B., 114; Ch, 116; W., 118 


Adoration of the Shepherds. /7/th state. From the Prince de Paar collection. BI., 
19; B., 46; Cl., 55; W., 50 


Jan Asselyn. Very fine. 7Zhirvd state. Bl., 171; B., 277; Cl., 274; W., 279 


REYHER (ROBERT) 
1883 —-—. Engraver. German. 


The Countess Potocka. Portrait. After a pastel in the Berlin Museum. /?77s¢ state. 
Proof before the inscription. Folio. Andresen, 11; Apell, 13. Framed and glazed 


REVNOLDS (WILLIAM 8.) 
1730 —— Engraver. English. 


Dr. Harrington. After Thomas Beach. 1779. Mezzotint. Chotce proof before all 
letters. Folio 


RICHOMME (JOSEPH THEODORE) 


1785 —— Engraver. French. 


The Holy Family. After Raphael. Painted for Francis I (The Louvre). Line. 
Elegant proof. First state. Folio. Andresen, 2; Apell, 5 


Napoleon, as First Consul. After Gérard. Line. Open-letter proof. 1835. Folio. 
Apell, 30. 


The Triumph of Galatea. After Raphael. Zzze. Brilliant impression, with artist’s 
stamp. Inscribed ‘‘a mon bon ami, J. Richomme.’’ Folio. Andresen, 8 ; 
Apell, 9 


Thetis Bearing the Weapons of Achilles. 1827. After F. Gérard. Lene. Brilliant 
impression. Folio. Andresen, 9; Apell, 1o 


ROUSSEAU (E.) 
Etcher. French. 


Marie Marquise de Sevigné. Portrait. After Nanteuil. Lue. India paper proof. 
Folio. 
RUET (L.) 
Etcher, French. 
‘1814.’ After Meissonier. Small. Artist’s proof, signed. Folio. 


RUYSDAEL (JACOB) 
1635-1681. Etcher. Dutch. 


The Little Bridge. (Cottage by the stream.) itching. Magnificent impression, of 
the greatest rarity. Folio. Andresen, 1; Bartsch, 1 


SANDRART (JACOB von) 


1630-1708. Engraver. German, 


Frederick, Duke of Saxony. 1677. Portrait. Zzve. Large folio. Andresen, 5 


B15 
316 


317 
318 
319 


320 


227 
322 


323 


324 


325 


326 
327 


328 


329 


339° 


c 22 


SCHMIDT (GEORGE FREDERICK) 


1712-1775. Engraver and Etcher. German. 


Hirsch Michel. Portrait. itching, from life. Berlin, 1762. Fine. Andresen, 37 
William II, of Orange, and his Tutor, Cats. After G. Flink, 1772. Andresen, 64 ; 
J. 152 | 
Young Lady with Fan. Portrait. After and in the style of Rembrandt. 
Jacobi, 129 < 
Jewish Bride. After and in the style of Rembrandt. Very fine. Firsé state. 
dresen, 68; J. 130 ayes 
Father of the Jewish Bride. After and in the style of Rembrandt. Fine impressi 
First state. Andresen, 67 ; Jacobi, 129 


Louis de la Tour d’Auvergne, Comte d’Evreux. After H. Rigaud. Portrai 
armor. Line. Folio, Andresen, 31; Jacobi, 42 , a 


SCHONGAUER (MARTIN). 

1420-1488. Engraver. German. 
The Entombment. (Sufferings of Christ Series. ) Andresen, 18; Bartsch, 18 — 
Christ at the Gates of Hell. (Sufferings of Christ Series.) Andresen, 19; Barts 


SCHULTHEISS (ALBRECHT F.) 


1823 ——. Engraver. German. 


Rembrandt and Saskia. After Rembrandt. Ziéching. Artist's remargue proof, s ig 
Folio. Framed and glazed ; 


A Tyrolean Dance. After Defregger. Etching. Artist's Kidde Ce proof, sig 
both painter and etcher. Framed and glazed 


SHARP (WILLIAM) ; 
1746-1827. Engraver. English. (The Father of English Line Engravers.) ; 
Doctors of the Church Disputing about the Dogma of the Immaculate Goss 


After Guido Reni. Line. Magnificent proof before letters, with coat-of-arn 
Second state. Folio. Andresen, 9; Apell, 6. Framed and glazed 


Diogenes in Search of an Honest Man. After Salvator Rosa. Lzwne. ee imp 
Folio . 


Dr. John Hunter. Portrait. After Sir Joshua Reynolds. Livze. Splendid p 
Sore the inscription. Folio. Very rare. Andresen, 31; Apell, 38 ; 


Joanna Southcote. Portrait. Line. Proof before letters. First state. Folio. — 
dresen, 37; Apell, 46 


SLOCOMBE (C. P.) Wace 

1850 —— Etcher. English. E 3 pig 

His Grace. After J. Pettie. itching. Artist’s proof, signed by Lae mer et 
Framed and glazed 


Her Grace. J. Pettie. itching. Artist's SPY, ened by painter and etcher. rr 
and glazed : 


33! 


332 


333 


334 


335 


336 
337 


338 
339 
340 


341 


342 


343 


344 


23 


STRANGE (SIR ROBERT) 
1721-1792. Engraver. English. 

Henrietta Maria, Queen of England, with her Children, the Prince of Wales and the 
Duke of York. After Van Dyck. Line. A superb proof, before all letters. Very 
rare. Andresen, 40; Apell, 48; Bl., 48 

Mary Magdalene, ina Cave. After Guido Reni. Zzme. Brilliant impression. Folio. 
Andresen, 13; Bl., 16. Framed and glazed 


STEINLA (MORITZ) 
1791-1858. Engraver. German. 


Madonna and Child. (From Madonna di San Sisto). After Raphael. Zine. Magnifi- 
cent proof, before all letters, on India paper. Folio. Andresen, 3; Apell, 3 


TARDIEU (PIERRE ALEXANDRE) 
1756-1844. Engraver, French. 


Paul Barras. Portrait. Full length. Line. Choice open-letter proof. Folio. An- 
dresen, 12; Apell, 11 


TEYSSONNIERES (PIERRE) : 
1834 Etcher. French. 
The Return from Fishing. After A. Feyen-Perrin. Etching. Artist’s remarque 


proof, with heads and signatures of painter and etcher, on parchment, of which only 
Zoo impressions were taken. Folio 


Mary, Queen of Scots. Eiching. Artist's remarque proof, signed. Folio 
Au Bord de L/Oise. itching. Artists proof, signed. Folio 


TISSOT (JACQUES JEAN) 
1836. Etcher. French. 
Boating Party on the Thames. Liching. Artist’s proof, signed. Folio 
The Captain’s Daughter. Liching. Artist's proof, signed. Folio 
Winter. itching. Artist's proof, signed. Framed and glazed 


TOSCHI (PAOLO) 
1788-1854. Engraver. Italian. 

The Descent from the Cross. After D. da Volterra. Line. Beautiful trial proof, with 
square white space on the arm of the cross, and before cleansing the plate. With 
autograph inscription, ‘‘ per ’illmo, Barone de Paganini, Paolo Toschi.’’ Folio. 
Andresen, 5. Framed and glazed 


The Bearing of the Cross. (La Spasimo di Sicilia.) After Raphael. Zzve. Bril- 
liant impression, with script title. Large folio 


Entrance of Henry IV into Paris. After F. Gérard. Zine. Largefolio. Andresen, 
12; Apell, 11. Framed and glazed 


VARIN (AMEDEE anp EUGENE) 


Nineteenth Century. Engravers. French. 


Springtime. (Youth and Maiden in a Swing.) After P. A. Cot. Lue. Open- 
letter proof, on India paper. Large folio 


345 
346 
347 


348 


349 


35° 


351 


352 


353 


N. B. 3. The Following priate are after Frescoes i in Sistine Chapel. 


354 
355 
356 
357 
358 
359 


24 


VISSCHER (CORNELIUS) 

1610-1670. Engraver. Dutch. ; 

Gellius de Bouma. Inanarmchair. Ze. Fine. Second state. Folio. Andresen, — 

4; W., 8 ; Bes: 

Peter Scriverius. Portrait. After P. Soutman. Zzve. Brilliant impression. Third — 

state. Folio. Andresen, 13; W., 42 rraiee is 

The Great Cat, with a Rat Behind Her. Lime. Splendid impression. First state. 
Andresen, 32; ‘W. 152 a 

The Rat Catcher. (Vender of rat poison.) Zzve. Fine impression. Fourth si 

Folio. Andresen, 39; W., 160 : +e ec 


VISSCHER (LAMBERT) 
1633-1690. Engraver. Dutch. 
Anne of Austria, Queen of France. JLzme. Choice brilliant impression. — 


before any verses. Signed on back, ‘‘ P Mariette oe $2 May rare. 
reser, yu W sei TS 


Jan and Cornelius de Witt, with Scene of Murder. (The portrait of C f 
graved on plate in place of the Town Hall.) Line. Bigs pone 
Andresen, 155 W..;120°: 9 

The Laughing Boy, with the Cat. After Vanloo. Line. ‘Biiliants t impr sic mn. 
state. Andresen, 18; W., 27 , Pig, <3 


VIVARES. (FRANCOIS) © Grae 
1709-1782. Engraver and Etcher. French. a , . 


The Sea near Naples. After Claude Lorrain. Line. Choice Preah ‘afore letter 
Andresen, 2 ae 


VOGEL (JOHANN FRIEDRICH) 


1829 ——. Engraver. German, sh > 


Marie Louise de Tassis. Povkeaite After Van Dyck. Line. 5 
on India paper, signed. Tose ‘« Hpr. d'art. J. s cee ne 
Framed and glazed 


‘ VOLPATO (GIOVEMN1: 
AT IE ahO3 Engraver. Italian, : 


Michael Angelo. 


Daniel, the Prophet. Lzme. Folio 
Zacharius, the Prophet. Zzze. Folio 
Joel, the Prophet. Lzne. Folio 

The Crimean Sibyl. Zine. Folio 
The Delphic Sibyl. Zzze. Folio 
The Erithrean Sibyl. Lue. Folio 


\ 


ae 5 
esha SS id VCuer 


Acai asatrihy cae Ordres du R oy 


Ate 


1 Pin 


pene et ag 5 TOE 


hes Cohmombouents de ty € tigi cher diel Reme 


Seis eG 


MMS Malate balsa ir aia: Togheene 


LS pp 
C onile Ov oat 


Vhniitre Secneudtine dF ca 


neo torent 


Maat 


“ 


1 By Se 


No. 395—Reduced 


360 
361 


362 
363 


364 
365 


366 


367 


368 
369 


370° 
371 


372 
373 


374 


375 


25 


VORTSTERMAN (LUCAS, THE ELDER) 
1573 ——. Engraver. Dutch. 
Return of the Holy Family from Egypt. After Rubens. Line. Andresen, 12 


Judocus de Momper. Portrait. After Van Dyck. Zine. Fine impression, before 
the name of the engraver. Very rare. From the Wolff collection. Folio. 
Andresen, 54 


WAGNER (CARL) 
1796-1867. Etcher. German. 


Im Wald. 1854. fine proof, before the inscription. Folio 
Abend im Wald. 1853. sine proof, before the inscription. Folio 


WALTNER (CHARLES) 
1847 —— Etcher and Engraver. German. 
The Philosopher. After Rembrandt. Zvtching. <Artist’s proof, signed. Large folio 


Portrait of an Old Lady. After Rembrandt. Fvching. Artist's remarque proof, on 
parchment, signed. ‘Yenthimpression. Large folio 


Rembrandt. Half-length portrait. After Rembrandt. Etching. Artist’s proof, 
signed, and one of the two impressions, taken on Flolland paper. "Extremely fine. 
Folio 


Lady Camden. ‘Three-quarter length, seated. After Sir Joshua Reynolds. L¢ching. 
Artist's proof, on parchment, signed. Folio 


Oliver Cromwell. (Head.) Portrait. Ltching. Artist's proof, signed. Folio 


Romeo and Juliet. After T. Dicksee. itching. Artist's proof, on parchment, signed 
by both painter and etcher. Folio 


WATERLOO (ANTHONY) 
1618-1662. Etcher. Dutch. 
The Great Mill. Beautiful impression. Folio. Andresen, 39; Bartsch, 119 


Two Travellers Resting in a Wood. Fine impression. Folio. Andresen, 37; 
Bartsch, 123 


Peasant with a Spade. Brilliant impression. Folio. Andresen, 30; Bartsch, 110 
Le Petit Pont de bois tortueux. Fine 


WATSON (THOMAS) 
1748-1781. Engraver. English. 


Amelia, Countess of Ossory. Three-quarter length. After Sir Peter Lely. (One of 
the Windsor Beauties.) Mezzotint. Splendid impression. Folio. Very rare 


WELLSTOOD (GEORGE) 


Nineteenth Century. Etcher. American. 


The Artillery Charge. After Schreyer. Zitching. India proof, before letters. Folio 


376 
377 
378 
379 
380 
381 


382 


383 


384 
385 


386 


387 


388 


389 


390 


oot 


392 


393 


26 


WHISTLER (JAMES McNEILL) 


1834 —— Etcher. American. 


Black Lion Wharf. 1859. Fine proof. Rare 

The Limeburners. 1859. Fine proof. Rare 
Wapping. 1860. fine proof. Rare 

Hurlingham. fine proof. Rare 

Becket, the Violinist. -Portrait. /7e proof. Rare 


The Little Mast. (Venetian). Fine proof. Rare 
Whistler may well be called the Father of American Etchers. 


WIERIX (JAN) 


1550 —— Engraver. Dutch, 


Melancholia. After A. Durer. A beautiful impression of a faithful and painstakin 
copy from the original. Bartsch (Durer), 74a; Andresen, 20; A., 1576 — 3 


WIERIX (JEROME) | 
1551-1619. Engraver. Dutch. 
Les Armoiries A la Tete de Mort. (After A. Diirer). Brilliant impression. 1 
(Diirer), 101 a 
Baptism of Christ in the River Jordan. Fine 
The Martyrdom of St. Sebastian. Very fine © 5 


WIERIX (ANTON) 
1553 —— Engraver. Dutch. 
Rosario Gaudioso. Very fine. Alvin, 477 


WILKIE (SIR DAVID) 
1785-1841. Painter and Etcher. English. 


A Man in Dressing Gown, Sitting at a Writing Table. Dyry-point etching 
proof on India paper. Very rare. Andresen, 6 : 


Old Woman and Child at Door of Cottage. Fine proof on India paper. 
Andresen, 2 


WILLE (JOHN GEORGE) 
1717-1808. Etcher and Engraver, French. 


The Wandering Musician. After Dietricy. Zzve. Brilliant impression. 
the final ‘‘e’’ in the word electoral. Folio. Andresen, 7; Apell, 
and glazed 

Tricateuse Hollandoise (Dutch woman knitting.) After F. Mieris. Zz: 
sen, 19; Apell, 18; Bl., 64 2 aft 

Instruction Paternelle, better known as the Satin Gown. After Terbu 
Brilliant impression. Fourth state. Andresen, 10; Apell, 9; BI., 55. 
Framed and glazed. sa 

La Devideuse, (the spinner) Mother of Gérard Dow. After G. Dow. Line 
state. Folio. Andresen, 16; Apell, 15; Bl., 61 

Charles Louis Auguste Fouquet de Belle-Isle (Maréchal de France). After H. I gat 
Line. Fine impression. Folio. Andresen, 32 Apell 47 s-Bl 126.7 See 


yy 


as 


394 


395 


396 


397 
398 


o79 


400 


401 
402 
403 
404 
405 
406 
407 


408 


409 


27 


Maurice de Saxe, Maréchal de France. After H. Rigaud. Zinze. Folio. Andre- 
sen, 33; Apell, 69; BI., 121 


Louis Phelypeaux, Comte de Saint Florentin. Three-quarter length, seated, with 
richly embroidered coat. After L. Tocque. ZLzve. Brilliant impression, Fifth 
state. Folio. Andresen, 34; Apell, 84; Bl., 124 


SEE REDUCED FACSIMILE. 


WILLIAMS (ROBERT Jr.) 
1696-1730. Engraver. English. 


Right Hon. Sir George Rook, Vice-Admiral of England. Inarmor. Portrait. After 
Dahl. Mezzotint. Choice impression. Folio. Andresen, 7 


WOOLLETT (WILLIAM) 
1735-1785. Etcher and Engraver. English. 
Landscape, with Dido and Ajneas. After Jones and Mortimer. Figures by Bartolozzi. 
Line. Third state. Folio. Andresen, 6 
The Temple of Apollo. Landscape, with Temple and Ancient Sacrifice. After 
Claude Lorrain. Zize. Folio. Andresen, 11 
Landscape, with the figure of the sketcher. After G. Smith. Zzve. Fine impres- 
sion. (The First Premium Print.) Folio. Andresen, 18. Framed and glazed. 
Landscape, with Three Shepherds. After G. Smith. Zzvze, Fine impression. (The 
Second Premium Print.) Folio. Andresen, 19 Framed and glazed 


EDWARDS (S. ARLENT) 
Etcher and Engraver. American. é 

Nell Gwyn. After Sir Peter Lely. Mezzotint, in colors. Artist's remarque proof, 
signed. Folio : 

Madame Recamier. After P. Gérard. Mezzotint, in colors. Artist's remarque proof, 
signed. Folio 

Peg Woffington. After A. Pond. Mezzotint, in colors. Artist's remarque proof, 
signed. Folio 

Princess Elizabeth. After Mme. Vigée-Lebrun. Mezzotint, in colors. Artist’s re- 
marque proof, signed. Folio 

Princess Lamballe. After Rioult. Mezzotint, in colors. Artist's remarque proofs 
signed. Folio 

Marie Antoinette. After Mme. Vigée-Lebrun. Mezzotint, in colors. Artist's re- 
marque proof, signed. Folio 

Empress Josephine. After P. Gérard. Mezzotint, in colors. Artist’s remarque proof, 
signed. Folio 

Napoleon, Josephine and Marie Louise. On one plate. Mezzotint, in colors. Artists 
remarque proof, signed, Folio 


Mrs. Storace. Celebrated English Actress. Jn colors. 4to 


410 
41I 


412 


413 
414 


415 
416 


417 


418 


420 


421 
422 


423 


424 


425 


426 


427 


428 


28 


FINE WATER-COLOR PAINTINGS 
ALL APPROPRIATELY FRAMED. 


THOMPSON 
English. 
View of English Lake and Mountains 
View on Konig-see in Tyrol 


RAYNER (LOUISE) 
English. 


Street Scene, York Minster. Cathedral in the eieeees 


CHAFFEE (S. R.) 
English, 
English Meadow and Stream 


Landscape. Autumn 


MOSER (H.) 
Lake and Mountains 
Moonlight Scene in Autumn 
Negro Boy Selling Flowers. (Trailing Arbutus) 


WUSMULLER (J. H.) 


German. 


Canal in Holland. The lock, with view of buildings on the right 


, - ONGANIA (N.) 


Italian. 


Canal, with Bridge and Balcony, Venice. 


PARSONS (P.) 

English. 
English Landscape, with view of Sterling Castle in the distance 
Firth of Clyde 

BALL (WILFRED) 

English. 
View of an English Village, in the style of Birket Foster 
Ann Hathaway’s Cottage, in the style of Birket Foster 


BRADFORD (WM.)_ mi 
English. 

Coast of Labrador. 

LISCOL (L.) 

Trees on the Border of a Lake, Cloudy Morning 


Two Yachts s 

COLEMAN (W. S.) 

English. 
The Pottery Decorator 


429 


430 
431 


432 


433 


434 
435 
436 


437 
438 
439 

440 


441 
442 
443 
444 
445 
446 
447 
448 
449 


29 


OIL PAINTINGS. 


MARROLINI (G.) 
Italian. 


Peasant Girl ina Sterm. A copy after de Bruls 


SRAHLER Clo F.) 
Dutch. 
View of the Grand Canal in Holland 
Old Houses and Canal in Holland 


COLT (LISETTE pE WOLF) 
Pink and White Roses 


CORNER: (7,6. } 
Holly and Winter Apples 


COLORED PRINTS. 


L’Eté. After F. H. Kaemmerer. Colored photogravure 
Olivia and the Vicar. After Ll. Emile Adan. Colored photogravure 


The Birthday Team. Drawn and engraved by Charles S. Hunt. Colored aquatint. 
Reprint 


The Tandem. After Herring, by Charles Hunt. Colored. Reprint 
The Drag. Companion 

The Road. 1825. Colored aguatint. Reprint 

Le Depart. After V. Corcos. Colored phatogravure 


AUTOTYPES, PHOTOGRAPHS, ETC. 
ALL APPROPRIATELY FRAMED. 


A Warrior. After Rembrandt 

Robertus Cheeseman. Portrait. After Holbein. Aztotyfe. By Braun 

Paul Potter. Portrait. After Van der Helst. Autotype. By Braun 

Christ before Pilate. After Munkacsy. Signed by Munkacsy. Autotype. By Braun 
Prince William II, of Nassau. After Van Henthorst. Azfotype. By Braun 

Prince Bismarck. Portrait. Autotype. By Braun 

Queen Louise of Prussia. After Gustave Richter. Photograph 

The Bay of Naples. Photogravure 

Fishing Fleet. Aching. By William Bradford. Remarque proof, signed 


